- Strathmore 400 Series Toned Mixed Media Paper (you can use Tan, Gray, or Blue - whichever resonates with you most), 9” x 12” size or larger
2024 Workshop 1
Abraham Maslow wrote in 1966, “If the only tool you have is a hammer, it is tempting to treat everything as if it were a nail.” An alluring realistic drawing must harmonize multiple visual elements, each demanding a small challenge to be solved on paper. Using a single medium can be limiting, but diversify your toolbox and you have a powerful array of options to draw your subjects, render them realistically, and give them texture and depth. This four-part workshop touches on the beauty and power of mixed media to create small, captivating works of art.
An introduction to mixed media on toned paper: let’s focus on the power of a good color palette and some satisfying application techniques! We’ll learn more about complimentary colors throughout this lesson as we layer a range of media types to complete a stylized planet drawing.
Creating drawings that look 3D with 2D mixed media: This workshop is about layering and media application. We’ll start with simple geometries and templates, and navigate the various application techniques for each of the media we’ll be using.
Using mixed media for textured, lifelike drawings. Mixed Media artists typically work in deliberate layers. Picture the process like a funnel – larger, nebulous blocks of color first, refining down to smaller details. This approach reduces a seemingly daunting task into an enjoyable, progressive flow.
Using mixed media to create landscapes with depth and texture: don’t be afraid to experiment with your layering - dry media on dry, wet on dry, wet on wet. The larger the variety of media in your arsenal, the more ways to approach the challenge at hand.
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Georgina is an Australian illustrator, painter, and architectural designer, currently based in Meanjin (Brisbane), Australia.
She holds a Master of Architecture (Sydney University) and Bachelor of Environmental Design in Architecture (Griffith University) and has worked and studied in Rome, Milan, and the Netherlands in both architectural and artistic capacities.
As a contemporary artist with a distinctive style, her illustrations and paintings have resonated with a broad clientele including UNESCO, UN Women, Lexus, MUGLER, Adobe Inc.,The Italian Ministry of Tourism, Faber-Castell, and Strathmore – as well as an array of private Australian and international patrons. Her work branches into two arenas: fine illustration - where she favors Strathmore Toned Tan (and is their cover artist for the 400 Series Toned Mixed Media range), and mixed media paintings designed for home spaces.
Georgina currently lives and works in Brisbane, Queensland with her husband Phil, their son Philip Calvin, and their gorgeous Golden Retriever Muddy.
Portrait by Roy Nien.