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2026 Workshop 1
Radiant Figures: Drawing with Drama and Light
Starts February 2nd, 2026
In this workshop, we will learn the basics of drawing the clothed figure as well as how to create a visually compelling figurative drawing portrait. We will discuss many topics, including: working with the model, selecting the right reference, blocking in the figure, understanding values and how to punch up the contrast and highlights to create a dynamic composition. With just a handful of pencils and a sheet of toned paper, you will be shown how to create a captivating figure drawing.
Started February 2nd, 2026
Lesson 1: Intro, Materials, and Quick Sketches.
We’ll begin by discussing how to work with a model, including how to create poses that feel dynamic and compelling. Justin also walks through the materials used in this series, then wraps up with 3 quick demo sketches of different poses to get you started.
Started February 9th, 2026
Lesson 2: Blocking in & Basic Values
Instructions and Reference Images
In this video we will begin to block in the drawing and introduce light & dark values. This is a crucial stage - like pouring the foundation of a house - all of our drawing will be built on it, so we will go over it carefully.
Started February 16th, 2026
Lesson 3: Creating a Hierarchy of Values
In this lesson, Justin focuses on creating a strong hierarchy of values, from the darkest darks to the lightest lights. He demonstrates how backgrounds can enhance contrast and explores practical techniques for combining graphite and white charcoal effectively.
Started February 23rd, 2026
Lesson 4: Finalizing Values, Adding Details & Finishing the Drawing
In the final video, Justin builds the last layers of value to increase contrast and drama, refining edges and relationships between light and dark. He finishes by using white conté or compressed charcoal to sharpen highlights and enhance impact.
Supply List
Paper:
Pencils:
- Lyra graphite pencil 2H
- Lyra graphite pencil F
- Lyra graphite pencil 2B
- Lyra graphite pencil 4B
- Lyra graphite pencil 9B
- White Charcoal pencils
- Compressed white charcoal sticks
- Mechanical pencil for detail area
- Erasers
- Kneaded eraser
- Click eraser (small and large)
- Electric eraser
- Tortillions & Blending Stumps
Topic: Lesson 2: Blocking in & Basic Values - Questions and Discussion
M
M
Absolutely loving this so far -- really appreciate your simple but effective style. When you said you used to illustrate comic books, it all clicked :) Thank you for sharing these lessons.
L
Hi Justin
I am happy to be able to do another workshop with you as an instructor.
I have looked at lesson three but I am still on lesson two.
I was wondering if you will be around after the 4 weeks to respond to any questions.
I will not rush what I am doing and probably wont finish the drawing in 4 weeks.
I have learnt a lot this time around about where to look, or at least to look harder, for shadows and interesting contrasts in light, in and around a subject. You have also taught me how to consider further an interesting composition keeping in mind the interplay between light and shadow.
Thank you very much Justin for doing these workshops.
Lotus
V
Hello Justin
Thank you so much for getting me to pick up my “1000 lb” pencils!! It’s been months and your class is exactly what I needed to get back to drawing!
I took your suggestion and picked a different face of my granddaughter while she was frolicking in a parking lot with some phragmites.
It’s obvious you really enjoy what you do and so I thank you for getting my “mojo” back! I too love to draw but have allowed my time to be consumed with babysitting. Therefore I used a photo of her as my inspiration. (No insult meant to your lovely photo).
Looking forward to doing another with your techniques.
J
M
@ Lotus
Absolutely! I will try to remember to check back after the course is done! Im so glad you're enjoying them & getting so much out of them :). I always say: any time with a pencil in your hand is time well spent!
justin
J
M
@ Vivian so glad to hear it! And it is ALWAYS best to choose a subject you connect with. I can tell you that if i was to name off the 5 most important pieces Ive ever done they wouldnt be commissions or illustration work or pieces ive done for hollywood or sports teams - they would be paintings and drawings i have done of my family. Nothing else compares & you will never find a greater connection in your art!
so glad you're enjoying the lessons!
So I have never done this way of sketching. I usually just jump in past this part. The blocking, I mean. This totally makes sense and isn’t as hard as I thought it would be. The sun kept moving on me and my live, unaware model. A photo would have made it easier with my light. Thanks for the class! I’m a little behind but I’m looking forward to working at my own pace through the whole course.
J
M
@Ginger, what i like doing when sketching from life is doing the sketch & then also taking a few snaps so you have both to refer back to if possible.
When working with models, my absolute favourite thing is doing 15-20 minutes of sketching, then taking photos & then working from them in studio. Most of the time people can spare 30-40 minutes although its rare people will sit for the entire portrait anymore!
The gallery will be available when Workshop 1 starts on February 2nd.
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